Jane’s Addiction – House Of Blues (Cleveland) – 5/21/15

Sometimes in life, you end up somewhere and feel that everything is right. You feel a sense of belonging. That was my experience at the Jane’s Addiction show at HOB Cleveland.

My history with Jane’s goes back to late 1988. At that time, my musical tastes were not particularly varied. I mainly listened to KISS, “hair bands,” and whatever happened to be on Pop radio at the time. That year, I discovered Living Colour, and was introduced to Jane’s by an older, cooler friend. From that point on, the floodgates were opened for me to experience much more variation in the music I chose to listen to, as well as the shows I attended.

I was fortunate enough to have seen Jane’s live a handful of times, going back to early 1990, but I was never able to experience them from close up, in an intimate setting. When the show was announced at HOB Cleveland, I wasn’t taking any chances. I arrived at the venue just before 5:00 to take my place in line, and I was the first one there. When the doors finally opened around 7:30, I bolted down the stairs, and didn’t stop until I hit the barricade on the left side of the stage.

I admittedly had a difficult time focusing on the opening band (A Place To Bury Strangers), as my anticipation for Jane’s to hit the stage was getting the best of me. I had a ton of nervous energy I was working through, and by the time Jane’s came on and launched into ‘Up The Beach’ (as they started the show by playing the epic ‘Nothing’s Shocking’ record top to bottom), I was ready to let all that nervous energy out. Dave Navarro (one of my guitar heroes) played the intro to ‘Ocean Size,’ Perry Farrell counted it off, and I absolutely lost my mind for the next 75 minutes. At some point within those first two songs, Dave came up to the front of the stage and fist-bumped me, and it was absolutely surreal. Shortly after, he also acknowledged my Fishbone shirt! In addition, being that close to drummer Stephen Perkins absolutely pummeling his drum kit was equally surreal. Not to take anything away from bassist Chris Chaney, who is a great musician in his own right, but Dave, Perry, and Stephen have been musical heroes of mine since I was a kid, so it was near impossible to watch them all equally.

After the performance of ‘Nothing’s Shocking’ was complete, the band finished up the show with three tracks from one of my all time favorite records, ‘Ritual De Lo Habitual’ (‘Been Caught Stealing’ ‘Three Days’ and ‘Stop!’). Immediately after his blistering ‘Three Days’ solo (which that solo shows up on MANY “all time greatest guitar solo” lists), Dave stretched his hand out over the barricade towards me and handed me his pick. At that moment, so many things raced through my mind. Among them, how many times I played air guitar to THAT VERY solo in my lifetime (along with all the rest of his solos), as well as how that one moment, that one gesture, felt like a small payback for 27 years of loyalty. I have never been able to meet any of the band to tell them how much their music meant to me, but maybe in that moment, Dave saw it in my eyes. Or maybe he just shredded that pick, and figured he had to do SOMETHING with it, so he might as well give it to me. However, I prefer my fantasy world interpretation more. All said, it was a night I will NEVER forget, and for that night, there was nowhere in the world where I could have belonged more.


Primus: Babylon A-Go-Go, 8/22/91

Babylon A Go-Go

At the time of this show, Primus had not yet enjoyed any real mainstream success, but they were definitely on the verge. They were touring behind the wonderfully eccentric Sailing The Seas Of Cheese record. When the show was announced, I realized I knew nothing about the venue aside from hearing the name in passing. I was pretty certain that the place was probably a dive bar, and I questioned why Primus would have been booked there. I would soon realize that my suspicions about the venue were very accurate.

I talked another one of my co-workers into going to the show with me. I purchased the tickets at the local independent record store as soon as they went on sale, and I’m glad I did, as it apparently sold out fast. We got to the venue, which was not in the greatest neighborhood, and I immediately got nervous as we got in line to enter. Before we even got in, I was sizing up the venue on the outside, and I had a bad feeling about it. As we entered, the feeling went from bad to worse. I tried to shake my nervousness, and I made a beeline to the front, right hand corner of the stage, as I knew that was where Primus singer/bass player Les Claypool would be stationed. The crowd started filling in quickly, and by the time the opening band, Tad, was in the middle of their set, the atmosphere became uncomfortable. By the time Tad finished, and I looked behind me, I was pretty terrified.

Primus took the stage, and the crowd was ready to pop. The temperature inside the place was just insane. The minute the music started, the crowd started to push and mosh. I just focused on the band and tried to forget about what was going on behind me. I started getting pushed out of my spot, and into the people that were sitting at the bar to my immediate right. They started getting pissed off, and kept pushing me hard back towards my original spot. But there was no chance I was going to lose that spot. At one point, all of a sudden I got lifted up in the air and was briefly crowd surfing. I have no idea how it happened, since it happened so quickly. I recall looking behind me and seeing so much movement, with many people jumping up and down in unison. I got down pretty quickly, but it was enough to freak me out pretty bad.

After a few more songs, someone got up on the stage and whispered something to Les. He got on the microphone and told the crowd that they needed to step back and calm down. I am pretty certain that nobody heeded the warning, because a few songs later, the same guy got onstage and whispered something to Les again. This time he told the crowd that if they didn’t calm down, they would no longer be able to play. Even this did not seem to deter the crowd. The general chaos continued, and this time the band stopped playing mid-song. Les addressed the crowd, saying something to the effect of “Don’t blame us folks, show is over.”

I looked around, and half the crowd was angry, while the other half was stunned. I was completely stunned, as I had looked forward to seeing Primus for a few years, and all I got was approximately 40 minutes. As we made our way out, I kept hearing people talk about “the floor.” We stood outside the tour bus for a little while, and again, I heard people talking about the floor. I asked someone next to me if he knew what happened, and he said that he heard the floor buckled under the weight of all the people jumping and generally going crazy. As far as I know, that was the last show ever at that venue. I was just glad to get out of there in one piece. Looking back, it was definitely one of the most dangerous situations I have ever been a part of at a show. This may sound crazy, but that kind of volatility and unpredictability was intoxicating. After this show, I secretly longed for that feeling of fear. Regardless of how nervous these types of shows made me, I couldn’t get enough. In every other aspect of my life, I avoided any kind of danger or confrontation at all costs. This was different, and I loved every minute of it.